Don Hong-Oai (1929–2004) was a Chinese-born photographer renowned for his distinctive style that melded traditional Chinese painting aesthetics with photographic techniques.
Born in Guangzhou, China, he was the youngest of 24 siblings and half-siblings. After the death of his parents, he relocated to Saigon, Vietnam, where, at the age of 13, he apprenticed at a Chinese photo and portrait studio. This early experience laid the foundation for his lifelong dedication to photography.
In 1979, Hong-Oai immigrated to the United States, settling in San Francisco’s Chinatown. There, he established a modest darkroom and continued his photographic pursuits, often returning to China to capture new negatives. His work gained significant recognition later in his life, leading to exhibitions and a growing collector base. He was honored by organizations such as Kodak and Ilford and was a member of the International Federation of Photographic Art in Switzerland and the Chinatown Photographic Society.
Hong-Oai’s photographs are celebrated for their serene landscapes and traditional Chinese motifs, achieved through a meticulous process of layering multiple negatives to create composite images. This technique, influenced by his mentor Long Chin-San, allowed him to construct scenes that, while composed of real elements, existed only in his imagination. His work is considered a unique form of Asian pictorialism, blending the delicate beauty of Chinese painting with photographic art.
Throughout his career, Hong-Oai’s artistry earned him numerous international awards, and his photographs are held in collections worldwide. He continued to create and refine his distinctive images until his passing in 2004.