Jody Quon’s desk is immaculate. There’s a lot there, but she knows exactly where everything is. It’s like an image out of Things Organized Neatly.
She rarely swears. Or loses her temper. In fact, she’s one of the most temperate people in the office. Maybe the most. She’s often been referred to as a “rock.”
She remembers every shoot and how much it cost to produce. She knows who needs work and who owes her favors.
She’s got the magazine schedule memorized and expects you to as well. She’s probably got your schedule memorized, too. She’s stylish, graceful, and charming. And she doesn’t take ‘no’ for an answer.
She’s usually one of the first in the office and last to leave. In fact, on the day she was scheduled to give birth to her first child, she came to work and put in a full day. When her water broke at around 6 pm, she called her husband to say, “It’s time.”
I don’t know if any of this is true. Except the baby thing. That is true. Kathy Ryan told me so.
I had a teacher in high school, Ms. Trice. She was tough. I didn’t much like her. She would often call me out for this or that. Forty years later, she’s the only one I remember, and I remember her very fondly. In my career, I’ve often thought that the best managing editors, production directors, and photography directors were just like Ms. Trice. These positions, more than any others, are what make magazines work. They’re hard on you because they expect you to be as professional as you can be. They make you better. (I see you, Claire, Jenn, Nate, Carol, and Sally.)
I suspect that a slew of Jody Quon’s coworkers and collaborators feel that same way about her. Actually, I don’t suspect. I know. I’ve heard it from all corners of the magazine business. I heard it again yesterday from her mentor and good friend, Kathy Ryan.
“She just has that work ethic,” Ryan says. “It’s just incredible when you think about it. The ambition of some of the things that they’ve done. And that has been happening right from the beginning. Ambition in the best sense. Thinking big. And she’s cool, always cool under pressure. We had a grand time working together. I still miss her.”
Jody Quon is one of those people who makes everybody around her better. That’s what I believe. And after this conversation, you probably will, too.
Read the full transcript here.
Print Is Dead (Long Live Print!) is a podcast about magazines and the people who made (and make) them. Magazines that combined thought-provoking attitudes and values with a distinctive look and feel, and cast a long and powerful shadow on American culture and public discourse. Hear stories and learn lessons from legendary designers, editors, writers, publishers, photographers, illustrators, photo editors, and more—stories and lessons that capture a magical history of innovation and inspiration, and that point the way forward. We’ll go deep into the lives and careers of this astonishingly talented group of creators, and tease out what these giants—past and present—have to teach the next generation of creators.
If you’re in the magazine business—if you’re in any business focused on content creation—this podcast is for you.
This episode is made possible by PIDLLP sponsors Commercial Type, Mountain Gazette, and Freeport Press.
The team behind Print is Dead (Long Live Print!) also produces The Full Bleed, a podcast about the future of magazines and the magazines of the future. Check out their newest podcast, The Next Page.
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