Art

I have been thinking about this for a long time and peeling it like an onion, trying to get to its core, and it’s time for me to put it on the table: I’ve recently had this very tentative conversation with a lot of writers and creatives — on tour, during a weekend workshop I […]

Join us for this weekly conversation between photographer Craig Cutler and illustrator Craig Frazier, whose collaboration is a testament to the unexpected alchemy of creative play. The Two Craigs project consists of one weekly prompt interpreted by the pair for 52 weeks. Check out the full series as it unfolds. Go backstage on the Two

Apart from major religious texts, arguably the most read, viewed and recited books of all time are the collected stories of Mother Goose. The origins of Mother Goose and her famous rhymes may not be entirely known, but what can be accepted as truth is Ms. Goose’s ubiquity, from which so many tales and characters

Behind much of the MAGA economic agenda lies a concern with restoring manly jobs. Coal miners want to mine! says Donald Trump. “They’re good, strong guys,” he says. “That’s what they want to do. They love to dig coal, that’s what they want to do. They don’t want to do gidgets and widgets and wadgets.

At times, cause-driven branding often teeters on the edge of performative, but Kit Studio’s identity for Raise the Roof doesn’t just talk the talk, it belts it out across dancefloors, timelines, and ticketing apps alike. A new music series amplifying emerging talent across the UK and Ireland, Raise the Roof is as much about social

“The Cathedral” by the sculptor, wood engraver and editorial illustrator James Grashow, is completely carved out of basswood. Unveiled in September, it has been one hell of a weight on his shoulders: “I never did anything like it before,” he told me. Grashow has made mammoth pieces out of paper and cardboard. “Of course I

After his debut last November with Carminium, Italian artist Federico Vezzaro has returned to New York for his second solo exhibition in the Big Apple, Beyond the Surface, which opened yesterday, April 3, at the Temple Gallery in New York. Once again, he brought with him a medium he himself has described as “new,” one

This week, the Philippe Labaune Gallery introduced “Together” to the art district’s community. Critics and art lovers packed the small gallery to take in the 16 acrylic paintings in Ponzi’s new collection. A traditional medium for a not-so-traditional process. Ponzi’s process began with pen and paper: “I began by writing some diary pages, as if

It’s fair to say that New York City’s modern art scene has seen it all. An Italian artist is on a mission to disrupt this reality with his invention of a brand new medium. Federico Vezzaro spent 15 years developing a way to imprint designs onto metal sheets by exploiting surfaces’s natural oxidation process. The