Art

When a movie poster really hits, it can become a timeless icon of the film that is immediately recognized for the rest of time. Whether hastily taped up on a dorm room wall or lovingly hung in a family TV room, a great movie poster can be a piece of art in and of itself. […]

April will mark the first PBS “American Masters” broadcast of Mecky Creus and Adrienne Hall’s Freedom is a Verb, a short documentary about artist Edel Rodriguez’s journey and work (see the trailer here). The film focuses on Rodriguez’s bestselling visual memoir of young life in—and treacherous escape from—Castro’s Cuba. In it he recalls the harrowing

Industry perspective by industrial design educators Juan Noguera and Tom Weis. The Doomsday Clock symbol, originally designed in 1947 by Martyl Langsdorf for the Bulletin of the Atomic Scientists, had a simple symbolic purpose: The closer we are to midnight, the closer we are to the destruction of the world as we know it. The

Great design isn’t just about what looks good today—it’s about creating something that lasts and flourishes. Your work has the power to inspire, influence, and leave a mark on the industry. But legacies aren’t don’t take root unless they’re cultivated. Enter the awards, showcase your creativity, and cement your place among the best. The deadline

Today’s one of those days where I can’t stop doomscrolling, or whatever the term is for compulsive longform doom reading. Luckily, it’s also book cover day here at PRINT—each of the jackets below provided a delightful drop of dopamine back into my depleted brain. It’s strategic escapism, sure. But isn’t that what the best books

Adrian Shaughnessy, co-publisher of Unit Editions (an imprint of Thames and Hudson), has a problem. He plans to make not one, but three books of work by Chris Ashworth, a former Ray Gun art director, editorial creative director and designer. The quandary: Can Ashworth’s work sustain the three-volume treatment? Shaughnessy was turned on by Ashworth’s

Hello hello. Here be links. New cover for Dalkey Archive Press – Reprise, collecting three volumes of short stories by Nicholas Delbanco. That’s Ida In An Interior With Piano by Danish painter Vilhelm Hammershøi, and isn’t it lovely? “I’m into the idea of making stuff that doesn’t look like a book cover … something that

Design studio sees need; launches a foundry—this is the more common progression. We’ve seen this countless times, and for good reason. Design teams are helping clients with increasingly complex briefs, often requiring a breadth of interwoven expertise. &Walsh is just one recent example (Type of Feeling launch news here and featured in our 2025 Typography

You’ve put in the work, nurtured your ideas, and watched them grow—so why hesitate now? Don’t let procrastination keep you from stepping into the sunlight. The garden of recognition is waiting, but seeds never planted never bloom. Enter now, before this season of opportunity passes you by! The post The 2025 PRINT Awards Nurture Bold

Debbie Millman’s ongoing project “What Matters,” an effort to understand the interior life of artists, designers, and creative thinkers, is now in its third year. Each respondent is invited to answer ten identical questions and submit a nonprofessional photograph. David Recchia is executive creative director at creative branding and communications agency The Team. He is