Art

Stacey Panousopoulos is a New York City-based design community organizer and Executive Director of AIGA NY. Pronouns: she/her What is the thing you like doing most in the world? Gathering and feeding people is innate in Greek culture and very much innate in me.  I love cooking. I’m obsessed with the process, the care and […]

Go back in time a few weeks to when Steven Brower spoke about his book Roy Kuhlman: The Reluctant Modernist for the Print Book Club. One aspect of the project that we did not discuss was the release of his bespoke Kuhlman typeface. It was Brower’s idea with Craig Welsh, who then brought in David

It’s a scary time to be in the creative field, filled with vast and every-growing unknowns related to AI. We’re already seeing the impact of AI on art, design, and culture at large, but there’s no telling exactly where we’re headed. Artists of all kinds are feeling degrees of helplessness and powerlessness trying to navigate

Typography has long been positioned as a vessel for language, a neutral system for delivering words. But that framing has always been incomplete. Letterforms don’t only carry meaning; they shape it. They encode geography, power, migration, and memory. In an era of global sameness, where typographic systems flatten into frictionless defaults, the question isn’t just

Michael DeForge makes comics that capture the messiness, heartache and absurdity of the world. His next book, All the Cameras in My Room (Drawn & Quarterly, April 21), is an eclectic mix of stories, each drawn in a different style, told in a different way, laser-sharply aimed at a different facet of today’s collective sociopolitical

My first exhibition poster for AIGA (1980) was on the topic of political art and graphic commentary, a potent mix of expressive symbolism and satiric acerbity. I immediately asked Brad Holland, who was best known at the time for his thought-provoking New York Times Op-Ed surrealistic linear style, to donate an image. I had already

There’s a moment between your fifth thumb-scroll of the morning and your first sip of coffee when your brain quietly mutinies against the hyper-lit, over-edited, aggressively color-graded videos that feel less like something you discovered and more like something that discovered you. And then, every once in a while, a beer can with googly eyes

Holly shares her journey as a nutritional scientist and formulating chemist, and how that experience led her to develop JostArriba, an instant coffee with added brain health and mental well-being benefits. We discuss the nootropic and adaptogen ingredients, like Reishi, Lions Mane, Ashwagandha, and L-Theanine, and how Holly obsessed over not just the functionality of

Introducing the fourth chapter of Project 2 by The 2Craigs—a year-long visual relay between photographer Craig Cutler and illustrator Craig Frazier. Each piece picks up where the last leaves off, shaped not by conversation or plan, but by intuition alone, as the series continues to unfold in unexpected ways. Dialogue 12:13 Dialogue 13:14 The post

There was a time when speed was the strategy. For digital media, especially in sports, velocity became synonymous with relevance. Publish first. Optimize later. Feed the algorithm. In that environment, design often followed function; templated, disposable, built to keep pace with an endless scroll. Identity, if it existed at all, was secondary to distribution. But