before memphis, ettore sottsass envisions a planet organized by moments of collective life
THE PLANET AS A FESTIVAL: ettore sottsass’ UTOPIA WITHOUT CITIES Long before the Memphis group turned him into a postmodern icon, Ettore Sottsass was asking a far more destabilizing question: what if permanence was never the goal? In 1972, the Italian architect and designer published Il Pianeta come Festival (The Planet as a Festival) […]









