Design

Taller Agropoetico: Agro-Poetic workshop in Asturian landscape   Located in Cabranes, Asturias, Spain, Taller Agropoetico is a small-scale architectural intervention developed by Atelier Poem for the Foresta Collective. Conceived as part of an agroforestry program involving the planting of more than 1,000 trees across five hectares, the project integrates agricultural practice, education, and landscape observation […]

Abigail E. Penner is an illustrator and writer based in Lincoln, Nebraska, who describes herself as a “daydreamer, monster girl” making hand‑drawn, emotionally raw art about mental health, self‑loathing, tenderness and being “a little freak.” She builds her full‑time illustration business around vulnerability—pairing graphite/ink drawings and quirky “monster” characters with handwritten text like “Nothing! Is!

Overall Winner: “Wouldn’t Hurt a Fly” by Zeke Rowe Nature’s indifference is exactly what gives these photographs their power, and the 2025 Capturing Ecology Photo Contest from the British Ecological Society puts that truth on full display. The winning shot—a calm American crocodile staring straight into the lens while horse flies feed on its snout—perfectly

Willy Sluiter (1873–1949) was a highly adaptable Dutch painter and graphic artist known for capturing the style and spirit of early 20th‑century life. Raised in a prosperous family, he developed a sharp awareness of the social dynamics around him. He gained fame for his lively portrayals of high society, from chic seaside scenes in Scheveningen

Counting Ships photography series by Pierfrancesco Celada   Counting Ships is a photography series by Pierfrancesco Celada that examines proximity, movement, and scale within a maritime landscape. The project captures a busy ferry route connecting an island to one of the most densely populated regions nearby. The crossing takes approximately 25 minutes and passes through

PENG & PARTNERS treats Marble as architectural medium   Dreamer Stone House is a spatial project by PENG & PARTNERS that examines marble as an architectural medium rather than a surface finish or display material. Conceived as an immersive environment in Shenzhen, the project repositions stone as an active element shaping spatial rhythm, atmosphere, and