24th TRIENNALE INTERNATIONAL exhibition tackles global inequalities
The Triennale Milano International Exhibition returns for its 24th edition from May 13 to November 9, 2025, transforming Milan’s Palazzo dell’Arte into a six-month stage for urgent dialogue and interdisciplinary design. Under the theme Inequalities, the Triennale Milano International Exhibition 2025 edition concludes a thought-provoking trilogy that began in 2019 with Broken Nature and continued in 2022 with Unknown Unknowns. This final chapter shifts the focus to the human dimension, addressing one of the most pressing — and politically charged — issues of our time: the growing inequalities that shape our cities, societies, and individual lives.
With participation from artists, designers, curators, institutions, and universities from about 73 countries, the 2025 edition becomes a cultural map of the inequalities we inherit, perpetuate, and have the power to transform. Through exhibitions, installations, performances, and lectures, the event invites visitors to reflect on both the injustices and the possibilities that define contemporary existence.
As always, designboom’s guide unpacks everything you need to know about the Triennale’s exhibitions, international collaborations, special projects, and national pavilions. Read on for our full breakdown.
Cities © Alessandro Saletta e Agnese Bedini – DSL Studio
INEQUALITIES, CURATED BY GLOBAL NETWORK OF VISIONARIES
At the heart of the 24th Triennale Milano International Exhibition is a dynamic curatorial structure. Led by Triennale Milano President and Commissioner General Stefano Boeri, the exhibition brings together celebrated figures from the worlds of art, architecture, science, and culture. Among them are architectural historian Beatriz Colomina and theorist Mark Wigley, Serpentine Galleries’ Hans Ulrich Obrist, interdisciplinary artist Theaster Gates, and Pritzker Prize-winning architect Norman Foster. They are joined by curators Nina Bassoli, Marco Sammicheli, Nic Palmarini, and Natalia Grabowska, among others.
The theme of Inequalities unfolds along two major curatorial trajectories: the geopolitics of inequality, explored on the ground floor, and the biopolitics of inequality, examined upstairs. The former investigates the urban and territorial dimensions of disparity — from housing access to wealth distribution — while the latter focuses on how inequality shapes our bodies, behaviors, health, and identities in everyday life. Together, these lenses form a powerful spatial and ideological framework for a more just and inclusive future.
Curatorial contributions are amplified through collaborations with leading global institutions, including Columbia University, Princeton University, Norman Foster Foundation, Democracy and Culture Foundation, and the Serpentine Galleries. Five Milanese universities and several international research centers add further depth to the exhibition’s research-driven foundation.
Cities © Alessandro Saletta e Agnese Bedini – DSL Studio
SPECIAL PROJECTS AND LEADING VOICES FROM WORLD OF DESIGN
The main exhibition space brings together a lineup of special projects and site-specific commissions by globally recognized architects, artists, and thinkers. Among the highlights are contributions from Pritzker Prize laureates Kazuyo Sejima and Alejandro Aravena, and Elizabeth Diller of Diller Scofidio + Renfro. Artist-filmmaker Amos Gitai explores the visual language of social injustice through cinema, while Theaster Gates brings his practice of social sculpture and ritual to Milan with a large-scale installation.
The exhibition design and layout are shaped by six innovative design studios — Abnormal, Studio GISTO, Grace, Midori Hasuike, orizzontale, and Sopa Design Studio — who were tasked with creating spatial experiences that reflect both the fragmentation and the interconnectedness of inequality in the contemporary world.
Alongside the opening of Inequalities, Triennale hosts the international conference Art for Tomorrow, organized by the Democracy & Culture Foundation and celebrating its 10th anniversary in Milan. The three-day conference examines the social impacts of arts with prominent guests, leading voices from the world of culture, and moderation by designboom.
See designboom’s guide to the exhibition and special projects, below.
Cities, The Inujima Project by Kazuyo Sejima, Say Who © Alessio Ammannati
cities
An imagined geography becomes the stage for Cities, an exhibition conceived as an atlas of inhabited places across the world. In thirty-five site-specific installations by authors from over thirty nationalities, the city is explored as both opportunity and battleground — between wealth and poverty, community and segregation, ecology and development. The exhibition challenges traditional understandings of urban inequality and offers alternative visions for growth.
Curation: Nina Bassoli
Exhibition Design: (AB)NORMAL
Grenfell Tower. Total System Failure, a special project included in the exhibition Cities © Alessandro Saletta e Agnese Bedini – DSL Studio
THE BOOK OF AMOS
Shot in a single take on a Tel Aviv street, Amos Gitai’s short film revives the voice of the biblical prophet Amos through actors from Israel and Palestine. Their modern-day denunciation of corruption and violence reflects a stark continuity with the prophet’s ancient words, suggesting that history, conflict, and the city are eternally intertwined.
GRENFELL TOWER. TOTAL SYSTEM FAILURE
This deeply moving installation by Grenfell Next of Kin honors the lives lost in the Grenfell Tower fire. Featuring works by artists including Chris Ofili and Khadija Saye, alongside film and quilted memorials, it exposes systemic failures and community resilience. The exhibition is both testimony and resistance.
Curation: Kimia Zabihyan, Grenfell Next of Kin
Grenfell Tower. Total System Failure © Alessandro Saletta e Agnese Bedini – DSL Studio
The Space of Inequalities / ENVIRONMENT, MOBILITY, CITIZENSHIP
Through short films and a local data model, this immersive installation explores inequalities in environmental exposure, access to resources, and citizenship rights. From global patterns to Milan’s own territory, it illustrates how space itself becomes a medium of disparity.
Curation: DAStU and CRAFT, Politecnico di Milano
Exhibition Design: (AB)NORMAL
The Space of Inequalities | Photo by Filippo Romano
Atlas of the Changing World
Curated by journalist Maurizio Molinari, this exhibition uses maps as narrative tools to trace a rapidly transforming world. From conflict zones to gender gaps, migration to climate change, it examines how cartography remains essential in navigating the chaos of the present.
Curation: Maurizio Molinari
Atlas of the Changing World © Alessandro Saletta e Agnese Bedini – DSL Studio
Shapes of Inequalities
Federica Fragapane’s installation transforms data into organic visual languages, revealing the human dimensions behind inequalities. These data visualizations reject neutrality, instead offering layered, emotional readings of injustice through form and rhythm.
Project by: Federica Fragapane
Installation and Exhibition Design: Midori Hasuike
Shapes of Inequalities © Alessandro Saletta e Agnese Bedini – DSL Studio
Radio Ballads
Building on a BBC radio format from the 1950s, Radio Ballads returns with four contemporary commissions exploring care, labor, and community in East London. Created through years of collaboration, these films give voice to those whose stories often go unheard.
Curation and Production: Serpentine: Amal Khalaf, Former Curator, Civic Projects; and Elizabeth Graham, Former Associate Curator, Civic Projects Layla Gatens, Former Assistant Curator, Civic Projects with Hans Ulrich Obrist, Artistic Director; Natalia Grabowska, Curator at Large, Architecture and Site-specific Projects; and Damiano Gulli, Triennale Milano
Radio Ballads © Alessandro Saletta e Agnese Bedini – DSL Studio
Milan. Paradoxes and Opportunities
Through data and artistic collaboration, this project identifies six paradoxes that define Milan today: juxtapositions of wealth and poverty, visibility and marginalization. Artists reinterpret these contradictions, creating a living archive of the city’s fragmented identity.
Project Coordinator: Seble Woldeghiorghis
Curation: Damiano Gullì and Jermay Michael Gabriel, direttore Black History Months Milano
Scientific Advisor: SI Lab Bocconi – Alessandra Casarico, Felix Eychmüller, Chiara Serra
Exhibition Design: orizzontale
Milano. Pradoxes and Opportunities © Alessandro Saletta e Agnese Bedini – DSL Studio
Towards a More Equal Future
The Norman Foster Foundation presents innovative projects — from refugee shelters to affordable housing and city regeneration — that use design as a tool for equity. This exhibition showcases how architecture can address pressing social and environmental inequalities.
Curation: Norman Foster and the Norman Foster Foundation
Towards a More Equal Future © Alessandro Saletta e Piercarlo Quecchia – DSL Studio
471 DAYS
A monumental memorial to the 2023–25 Gaza War, this installation uses 471 suspended fabric columns to represent each day of conflict. Through casualty data, satellite imagery, and personal stories, Filippo Teoldi brings visibility and dignity to individual lives often reduced to statistics.
Project by: Filippo Teoldi
Installation and Exhibition Design: Midori Hasuike
471 Days © Alessandro Saletta e Agnese Bedini – DSL Studio
Portraits of Inequalities: Pittura di Classe
A new perspective on Milan’s Ca’ Granda portrait collection. On view are thirty portraits of men and women, created between the seventeenth and twentieth centuries. This time, the collection of notable figures is observed from a different perspective—that of a representative of another social class, portrayed by Giacomo Ceruti, the painter often referred to as the ‘Homer of the poor’.
Curation: Giovanni Agosti and Jacopo Stoppa
In collaboration with: Fondazione IRCCS Ca’ Granda Ospedale Maggiore Policlinico
Lighting Design: Pasquale Mari
Portraits of Inequalities. Pittura di Classe © Alessandro Saletta e Agnese Bedini – DSL Studio
We the Bacteria: Notes Toward Biotic Architecture
Beatriz Colomina and Mark Wigley present an architectural manifesto for microbial coexistence. From gut health to planetary ecosystems, the installation argues that to understand inequality is to understand biology, and to design accordingly.
Curator: Beatriz Colomina and Mark Wigley
Exhibition Design: GRACE
We the Bacteria © Alessandro Saletta e Agnese Bedini – DSL Studio
The Corner Problem
This short film by Diller Scofidio + Renfro turns the humble architectural corner into a site of philosophical and hygienic drama. A meditation on invisibility, resistance, and the limits of design.
Film by: Diller Scofidio + Renfro in collaboration with Frank Willens
Directed by: Elizabeth Diller
The Corner Problem
A Journey into Biodiversity: Eight Forays on Planet Earth
From human cities to octopus reefs and fungal networks, this exhibition redefines cities as cohabitations between species. A planetary journey that questions anthropocentrism and explores diverse models of ecological interdependence.
Curated by: Telmo Pievani
In collaboration with: Massimo Labra and Maria Chiara Pastore, National Biodiversity Future Center
Exhibition Design: Studio GISTO
A Journey Into Biodiversity. Eight Forays on Planet Earth, work by Marta Cuscunà © Alessandro Saletta e Agnese Bedini – DSL Studio
THE REPUBLIC OF LONGEVITY
IN HEALTH EQUALITY WE TRUST
By 2050, over two billion people worldwide will be aged sixty or older, marking a global shift from old age to an age of longevity. The Republic of Longevity responds with an exhibition that elevates five simple yet powerful Ministries — Purpose, Sleep Equality, Food Democracy, Physical Freedom, and Togetherness — as democratic tools to narrow the widening gap in health and wellbeing. The project collects everyday practices for longer, healthier lives, while confronting the inequalities that determine access to such lives in the first place.
Curation: Nic Palmarini with Marco Sammicheli
Exhibition Design: Sopa Design Studio
The Republic of Longevity. In Health Equality We Trust © Alessandro Saletta e Agnese Bedini – DSL Studio
NOT FOR HER
AI REVEALING THE UNSEEN
With quiet intensity, Not For Her uses artificial intelligence to expose what we fail to see: the deeply embedded gender disparities in professional environments. Through a multimedia triptych and an interactive installation, the work erodes the clarity of perception to reveal how invisible barriers distort our workplaces and assumptions. Here, it asks visitors to reconsider what fairness, visibility, and change really mean.
Project by: Politecnico di Milano
Conceived by: Donatella Sciuto, Rettrice Politecnico di Milano
Curated by: Nicola Gatti, Ingrid Paoletti, Matteo Ruta, Politecnico di Milano
Not for Her. AI Revealing the Unseen – Politecnico di Milano © Luca Trelancia
CLAY CORPUS
In Clay Corpus, Theaster Gates intertwines the poetic legacies of Japanese potter Yoshihiro Koide and Italian designer Ettore Sottsass. Drawing on his training in Tokoname, Gates wraps Sottsass’s intimate Casa Lana in Koide’s humble vessels, which evoke the Sanpomichi hill where generations of Japanese potters once displayed their wares. Through this cultural and material exchange, the exhibition celebrates craft as a spiritual act, where even the most utilitarian form can hold cosmic meaning.
Work: Theaster Gates
Clay Corpus © Alessandro Saletta e Agnese Bedini – DSL Studio
THE FRAGILITY OF THE FUTURE
In the forecourt of the Palazzo dell’Arte, monumental papier-mâché animals — an elephant, whale, giraffe, and hippopotamus — stand vulnerable and unguarded. These works by Jacopo Allegrucci appear both celebratory and mournful, confronting viewers with the majestic species we are on the brink of losing. Created from fragile and biodegradable papier-mâché, the sculptures capture not just the ephemerality of wildlife, but the instability of the systems that threaten it.
Work: Jacopo Allegrucci
The Fragility of The Future | Alessandro Saletta e Piercarlo Quecchia-DSL Studi © Triennale Milano
interNATIONAL participations EXPLORE LOCAL DIMENSIONS OF INEQUALITY
As with each edition, the Triennale Milano International Exhibition also includes a rich and diverse array of international participations, invited through official government channels under the auspices of the Bureau International des Expositions (BIE). These official exhibitions offer localized perspectives on the global theme, responding through architectural models, urban investigations, social design strategies, and cultural storytelling. Each display becomes a lens through which visitors can observe how inequality manifests — and is resisted — across different geographies and communities. Cities — historically places of opportunity, yet today areas where differences are often intensified — are at the heart of the International Participations’ exhibition projects. Participating countries have been invited to focus on a specific urban or spatial dimension, contributing to a collective reflection on the most forward-thinking political proposals for a society in which differences are embraced as resources to be reconfigured into new forms of community.
Stay tuned as designboom breaks down each participating country’s exhibition, below.
AUSTRALIA
Land Use Inequality
Australia presents Land Use Inequality at the 24th Triennale Milano International Exhibition. Promoted by Monash University and curated by Monash Urban Lab with Baracco+Wright Architects, the exhibition critiques the legacy of colonial settlement and urban sprawl in Melbourne. Since 1835, low-rise housing on unceded land has expanded the city’s footprint, generating a web of ecological, social, and First Nations inequalities. The display reflects on how continued low-density development displaces ancient ecosystems and sacred sites, challenging visitors to reimagine land use from a multispecies, justice-oriented perspective.
Commissioner: Monash University
Curator: Monash Urban Lab with Baracco+Wright Architects
Exhibition Design: Baracco+Wright Architects
Australia – Land Use Inequality
© Nigel Bertram
ANGOLA
Made in Angola
In Angola, a bottom-up design movement is emerging. It takes its competence from artisanal skills and local sustainable materials and creates products with a strong local identity. These productions are made in laboratories located in the city of Luanda, helping to create skills and job opportunities for the weakest sections of the population. The Made in Angola exhibition tells the story of emerging Angolan design, its places, protagonists, and products. The exhibition is created through a co-creation process that involves different local actors (artisans, videomakers, architecture students, urban explorers, and cultural animators) in a design workshop held in Luanda.
Promoter: Italian Embassy in Luanda, Ao Criativa
Curators: Eugenia Chiara and Chiara Mittler
Exhibition Design: Anju Konikkara George in collaboration with Pedro Mvemba Cidade and students
Angola – Made in Angola
Workshop at AO Criativa © Joshua Photographer for AO Criativa
ARMENIA
(ordinary) architecture
Armenia presents (ordinary) architecture, a conceptual exploration of everyday spaces and their transformative potential. Promoted by LFA and curated by a collective including Arsen Karapetyan and Yury Grigoryan, the display centers around the humble garage — a relic of Soviet urbanism now reimagined as a flexible platform for creative community. This abstract garage space echoes Yerevan’s evolving urbanity and reveals how architecture’s most unassuming elements can embody deep social meaning.
Commissioner: National Library of Armenia
Curators: Arsen Karapetyan, Yury Grigoryan, Bogdan Peric, Andrey Mikhalev, Aleksei Lashkov, Dana Smagina
Promoted by: LFA (Library for Architecture)
Armenia – (ordinary) architecture
“Antarain” by Aleksei Lashkov
AUSTRIA
Soft Image, Brittle Grounds
Austria’s Soft Image, Brittle Grounds is a research-driven media installation by Felix Lenz. Promoted by Vienna’s MAK and curated by Marlies Wirth, the exhibition unpacks the entangled inequalities emerging from digital systems and extractive economies. Through speculative narratives and multi-channel video, it critiques the simplification of complex realities under technological rationalism, while offering a queer, ecological counter-perspective to contemporary power structures.
Promoter: MAK – Museum of Applied Arts, Vienna
Curator: Marlies Wirth
Project by: Felix Lenz
Austria – Soft Image, Brittle Grounds
© Felix Lenz
CHILE
ImAGIne Chile
Through ImAGIne Chile, Chile invites visitors to envision a future shaped by Artificial General Intelligence and collective imagination. Promoted by Sebastián Errázuriz Studio and ACQUIS, and curated by Errázuriz, the pavilion celebrates the Chilean capacity to innovate amid scarcity. It encourages global collaboration in designing technological futures that are equitable and adaptive.
Promoters: Sebastián Errázuriz Studio + ACQUIS
Curator: Sebastián Errázuriz
Production: Pedro Comparini & ACQUIS
Chile – ImAGIne Chile
CHINA
Balancing Dynamics: The Law of Civilization Development
China presents Balancing Dynamics, a vision rooted in traditional philosophy yet addressing contemporary challenges. Curated by Yongqi Lou, the pavilion explores inequality as a generator of equilibrium. Featuring contributions from five leading universities, it proposes localized, interdisciplinary solutions — from aging populations to urbanism — embodied in experimental forms such as aquaponics and 3D-printed infrastructure.
Promoter: Construction Industry Sub-Council, CCPIT
Curator: Yongqi Lou
China Pavilion © Alessandro Saletta e Agnese Bedini – DSL Studio
CUBA
La Habana Ciudad Patrimonial – Diffused Urbanity
Cuba’s La Habana Ciudad Patrimonial exhibition, curated by Jorge Fernández Torres, reflects on Havana’s unique urban restoration process and its approach to dissolving inequalities through cultural preservation. It celebrates the social equilibrium maintained within the city’s historic center, resisting elitism and segregation through grassroots heritage practices.
Commissioner: Oficina del Historiador de la Ciudad
Curator: Jorge Fernández Torres
Cuba – La Habana Ciudad Patrimonial – Diffused Urbanity
Photo by Néstor Martí, Cuba
CZECH REPUBLIC
The Momentum of a Decision
The Czech Republic presents The Momentum of a Decision, a powerful critique of housing policy and its failures in Prague. Promoted by the Museum of Decorative Arts in Prague and curated by Janek Rous and Karolina Kripnerova, the exhibition investigates homelessness as a systemic political issue. It challenges the privatization narrative and calls for a renewed responsibility for affordable housing.
Promoter: Museum of Decorative Arts in Prague
Curators & Designers: Janek Rous, Karolina Kripnerova, Magdalena Rutova
Czech Republic – The Momentum of a Decision
Magdalena Rutová, A city for sale, 2024
GUINEA-BISSAU
Tici Humanidadi: Weaving Humanity
Guinea-Bissau’s Tici Humanidadi is a poetic installation advocating for global solidarity through the metaphor of weaving. Promoted by its consulate in Italy and curated by Kiyomi Kawaguchi and Nú Barreto, the display showcases local textiles, art, and storytelling. It emphasizes shared humanity, dignity, and the need to overcome entrenched inequalities.
Promoter: Consulate of Guinea-Bissau in Italy
Curators: Kiyomi Kawaguchi and Nú Barreto
Exhibition Design: Nú Barreto
Guinea-Bissau – Tici Humanidadi: Weaving Humanity
Crushing Labor © Samba Baldé
LEBANON
and from my heart I blow kisses to the sea and houses
Lebanon presents and from my heart I blow kisses to the sea and houses, a deeply personal meditation on Beirut’s coastal architecture and collective trauma. Curated by Ala Tannir and supported by AFAC and the Graham Foundation, the exhibition mourns and reimagines a historic home shattered by violence and neglect. It blends artistic strategies to honor memory, resistance, and urban care.
Promoters: Graham Foundation for Advanced Studies in the Fine Arts, Arab Fund for Arts and Culture (AFAC)
Curator: Ala Tannir
Lebanon Pavilion © Alessandro Saletta e Agnese Bedini – DSL Studio
NORTH POLE TRANSBORDER PARTICIPATION
Liminal Phantoms—The Rebirth of a Landscape
The North Pole Pavilion presents Liminal Phantoms, an ecological meditation on post-extractive landscapes. Designed by Alejandro Haiek Coll and promoted by Arctic and Um Arts Research Centers, it narrates the slow regrowth after territorial violence. Through sensorium and metaphor, it evokes the resilience of nature and the urgency of ecological justice.
Promoters: Arctic Research Center and Um Arts Research Center and Circolo Scandinavo
Exhibition Design: Alejandro Haiek Coll / Laboratory of Intersectional Ecologies / Umeå University – School of Architecture
Research Team: Lolo Rebecca Rudolph, Tomas Mena, Luis Pimentel, Aram Badr, Atakan Colac, Raquel Colacios, Sevan Mohammadpour, Cesar Velando, Hana Osman, Irina Urriola
North Pole and Togo Pavillions © Alessandro Saletta e Agnese Bedini – DSL Studio
PERU
Relatos Chicha
By transforming lettering into a tool of resistance and collective pride, the artist Elliot Tupac brings oral and artisanal traditions into the contemporary in Peru’s exhibition. Heir to the artisanal tradition of the poster-makers of Huancayo, he tells part of the story of Lima’s informal settlements, following with a personal gaze the birth of Chicha culture: a collective identity that emerged in the 1980s from the migration of millions of people from the provinces to the capital in search of new opportunities.
Peru Pavilion © Courtesy of Elliot Tupac
POLAND
A Brief Vacation
Poland’s A Brief Vacation offers a sensory and spatial exploration of regenerative urbanism. Curated by Katarzyna Roj and promoted by the Adam Mickiewicz Institute, the exhibition invites visitors to recline, reflect, and reimagine cities as spaces of care and renewal. Drawing from cinema and sanatoriums, it connects crisis with healing, and infrastructure with dignity.
Promoter: Adam Mickiewicz Institute, BWA Wrocław Galleries of Contemporary Art
Curator: Katarzyna Roj
Architect: Aleksandra Wasilkowska
Poland – A Brief Vacation
Wasilkowska Transsanatorium 2025
PUERTO RICO
Once Upon Three Femisites
Puerto Rico presents Once Upon Three Femisites, a moving investigation into spatial complicity in gendered violence. Curated by Regner Ramos and promoted by the University of Puerto Rico School of Architecture, the pavilion retraces the tragic story of Alexa Neulisa Luciano through digital, physical, and ephemeral landscapes. It reclaims these sites as spaces of memory, critique, and protest.
Promoter: University of Puerto Rico School of Architecture
Curator: Regner Ramos
Puerto Rico Pavillion © Alessandro Saletta e Agnese Bedini – DSL Studio
QATAR
Tiamat
Through Tiamat, Qatar constructs a contemporary architectural experiment in stone. Promoted by Design Doha and created by AAU ANASTAS, the ribbed vault structure references ancient arches and desert ecologies. Blending material innovation with cultural heritage, the pavilion explores resilience, craft, and environmental responsibility in collaboration with Palestinian artisans.
Promoter: Design Doha — Qatar Museums Research
Project by: AAU ANASTAS (Elias and Yousef Anastas)
Qatar – Tiamat
ADN D3 © Edmund Sumner
ROM & SINTI NATION
Motherland Otherland
Rom & Sinti present Motherland Otherland, an exhibition promoted by ERIAC and UNAR and curated by Dijana Pavloviç and Hanna Heilborn. Through the work of artists like Małgorzata Mirga-Tas and Sead Kazanxhiu, the pavilion amplifies Romani voices and exposes the inequalities embedded in European cultural narratives. It calls for recognition, representation, and justice.
Promoters: European Roma Institute of Arts and Culture (ERIAC) and UNAR
Curators: Dijana Pavloviç, Hanna Heilborn
Commissioner: Movimento Kethane
Rom & Sinti – Motherland Otherland
Roma pavilion Building home © Giovanni Hänninen
SAUDI ARABIA
Maghras, A Farm for Experimentation
Saudi Arabia’s Maghras, A Farm for Experimentation is a contemplative exhibition rooted in its namesake Maghras, a community farm in the ancient oasis of Al Ahsa — once water-rich, now under ecological strain. Defined by a symbolic square of four palm trees, the display captures field recordings, artefacts, and speculative design responses to shifting agro-ecosystems. Visitors are invited into conversations around preservation, resilience, and imagining a restorative future between land and people.
Curators: Lulu Almana and Sara Al Omran
Commissioner: The Ministry of Culture of Saudi Arabia
Saudi Arabia – Maghras, A Farm for Experimentation
TM Saudi Arabia Image courtesy of Maghras
TOGO
Out of Fashion
A bold critique of waste colonialism, Togo’s Out of Fashion installation transforms discarded jeans from Lomé’s Hedzranawoe market into architecture. It exposes the environmental and social damage caused by fast fashion’s leftovers dumped in Africa, while showcasing the ingenuity of design as resistance and reclamation.
Curators & Designers: Studio NEiDA (Jeanne Autran-Edorh & Fabiola Büchele)
Producer: Atelier Lissanon, with Françoise Autran
Togo – Out of Fashion
Main Building at Hedzranawoe market by architect Da-Blèce Afoda-Sebou, Lomé, Togo 2024. Image Studio NEiDA
UKRAINE
Inhale/Exhale!
Ukraine presents a raw, poetic exhibition confronting the fracture lines of war between frontlines and relative safety, between victim and witness. Set in Western Ukraine, Inhale/Exhale! is about inequality, emergence and disappearance, the artefacts of the victim. It urges visitors to exchange sympathy for respect, exploring the realities of disability, trauma, and coexistence in a divided society struggling toward healing.
Curator: Khrystyna Berehovska
Promoter: ZAG Gallery
Ukraine – Inhale/Exhale!
Volodymyr Semkiv – Sculpture «Optimist», 100х70х75 cm, wood
UNITED NATIONS
Parallel Realities
The United Nations’s Parallel Realities is an immersive exhibition curated by the SDG Action Campaign. Through provocative visual storytelling by Uğur Gallenkuş and global changemakers’ testimonies, it explores how inequality fractures our world and offers hope through collective action. The space invites each visitor to reflect, connect, and act.
Promoter & Curator: United Nations SDG Action Campaign
What a Wonderful World
United Nations – Parallel Realities
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