Donald Wasswa’s wooden sculptures captivate with a sense of curiosity and wonder, looking as if they’ve stepped out of a dream or a science fiction story. Crafted in Kampala, Uganda, Wasswa’s creations are made from silk tree and ebony wood, with subtle copper details catching the light. Each piece is an organic form, bold and mysterious, that feels both familiar and otherworldly at once. It brings a seamless combination of contemporary art mixed with Ugandan culture but also forms that evoke a feeling of outer space.
Wasswa’s sculptures bring to mind the movements of jellyfish or the cautious steps of imagined creatures. Smooth, rounded bodies in rich brown hues are set atop sharply pointed black legs or tentacles. Copper circles embedded into the wood suggest eyes or sensors, heightening the illusion of sentience. His choice of materials is deliberate. The deep, natural grain of the wood is celebrated, while the contrast of the dark tentacle-like limbs adds drama and visual intrigue. The result is a collection of forms that stir the imagination, evoking a tension between the known and the unknown.
Designer: Donald Wasswa
These creatures seem to hover between the worlds of biology and technology. Wasswa’s art explores how science, society, and the environment are in constant conversation and transformation. Each sculpture is a meditation on evolution, hinting at a future where the organic and the artificial intermingle. According to Circle Art Gallery, which represents the artist, Wasswa is fascinated by the secret lives of ordinary objects and how they might shape the humans of tomorrow. This philosophical approach gives his work a narrative edge, inviting viewers to consider not just what these forms are, but what they might become.
The tactile quality of Wasswa’s work is undeniable. The polished surfaces invite gentle touch, while the spiky appendages create a subtle sense of danger. Some pieces stand confidently on multiple legs, while others seem to crawl or float, their positions never quite predictable. The presence of copper inlays suggests a touch of technology, as if these are not just creatures, but advanced beings, part machine, part animal.
Wasswa’s sculptures have gained international attention for their originality and striking forms. This fall, his work will be exhibited at the 1-54 Contemporary African Art Fair in London, running from October 16 to 19. Collectors and art lovers looking for something truly unique will find his pieces both thought-provoking and conversation-starting.
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