unraveling: new spaces is designed to unknit itself over time
The Serbian Pavilion at the 2025 Venice Architecture Biennale adopts wool as its primary, unexpected medium, to weave an ephemeral canopy. Titled Unraveling: New Spaces and curated by Slobodan Jovic, the exhibition explores the idea of transformation in contrast to ideas of architecture as a fixed entity, knitted entirely from wool into large, light, catenary drapes. The structure, a textile environment that interacts with light and time, changes with each visit, calling for rethinking architecture as impermanent and adaptable.
Motors powered by solar panels drive the unravelling process, pulling threads gradually over the exhibition’s six-month run, until the installation eventually dissolves into the raw material from which it began, ready for reuse. Between these points, the threads hang like a suspended landscape, catching rays of the sun and shifting in shape, density, and transparency as visitors walk underneath.
all images © ReportArch / Andrea Ferro
serbian pavilion at venice biennale considers resource life cycles
The Serbian Pavilion’s choice of wool — a ubiquitous domestic material though one rarely associated with architecture — foregrounds tactility and slowness, recontextualizing Serbia’s knitting traditions through algorithmic precision and renewable energy. Its movement over the months of the Biennale is systematic as it makes visible the passage of time and the quiet undoing of form, revealing a meditation on impermanence and material circularity.
Presented under the Biennale’s curatorial theme Intelligens. Natural. Artificial. Collective., Unraveling aligns closely with the call for expanded definitions of intelligence and authorship in architectural practice, utilizing technology only for its subtle nuances in production. The installation makes a subtle statement, remaining low-energy and reversible to foster a special care for materials amid challenges such as resource scarcity through an architecture of relationships. Its immersive effect, too, lies in the accumulation and unraveling of threads that create a suspended architecture above visitors.
the pavilion of the Republic of Serbia at the 2025 Venice Architecture Biennale
The project is developed by a collaborative multidisciplinary team that moves fluidly between architecture, fashion, energy research, and digital technology. Architects Davor Ereš, Jelena Mitrović, and Igor Pantić contribute expertise in computational design and fabrication, while designers Ivana Najdanović and Sonja Krstić bring deep knowledge of textile structures and knitwear construction. Researcher Petar Laušević, working in renewable energy has developed the system that powers the installation.
titled Unraveling: New Spaces
the exhibition explores the idea of transformation in contrast to ideas of architecture as a fixed entity
knitted entirely from wool into large, light, catenary drapes
a textile environment that interacts with light and time
changes with each visit, calling for rethinking architecture as impermanent and adaptable
the work slowly unravels over time
it will eventually dissolve into the raw material from which it began, ready for reuse
the installation makes a subtle statement, remaining low-energy and reversible to foster a special care for materials
recontextualizing Serbia’s knitting traditions through algorithmic precision
the threads hang like a suspended landscape
project info:
name: Unraveling: New Spaces
curator: Slobodan Jovic
location: Serbian Pavilion, Arsenale, Venice, Italy
program: Venice Architecture Biennale | @labiennale
dates: May 10th — November 23rd, 2025
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