Packaging design is where creativity truly takes shape—literally and metaphorically—transforming boxes, bottles, and wrappers into three-dimensional brand experiences that capture attention and communicate value. Today’s packaging trends reflect a landscape that values both sustainability and innovation, from minimalist, resource-efficient designs that reduce waste to unexpected forms and textured materials that enrich the unboxing experience. Clean, purposeful shapes and thoughtful geometry help products stand out on crowded shelves while meeting growing consumer demand for eco-friendly solutions and authentic storytelling. Sustainability is now a central expectation—brands are moving beyond surface-level claims to use recycled, recyclable or compostable materials, and clever structural design that reduces excess without sacrificing function.
In a world where packaging must do more than protect—serving as brand ambassador, communicator, and sustainability statement all at once—designers are solving complex problems with elegant, shaped solutions. If your work reimagines how packaging feels, functions, and resonates, it deserves recognition. Enter the PRINT Awards Packaging & Sustainable Design category and let your creativity take shape on a global stage.
So who will be judging the Packaging & Sustainable Design category entrants? Meet our three jurors below!
Jolene Delisle // Founder of The Working Assembly
Jolene Delisle’s work has earned her spots on Forbes’ Next 1000 and Adweek’s Creative 100, recognizing boundary-pushing voices in design and business. In addition to her work in branding, Delisle is committed to fostering community and place as the founder of Founding Families, a private network for entrepreneurs navigating the dual challenges of building companies and raising children.
In your practice, what is the one thing that you are most excited about?
JD: In my practice, I’m most excited about how design has evolved from a discipline focused on aesthetics to one that’s central to strategy and storytelling. At The Working Assembly, we’ve always believed that design is a business tool that can build culture, shift perception, and create real connection between brands and audiences. What excites me most now is how design is increasingly at the table early, helping founders, marketers, and companies define who they are before they ever decide what they look like. That shift feels both powerful and overdue.
Jaques Rossouw // Creative Director at Voicebox Creative
Jacques has 30 years of design and brand building experience. He began his career in South Africa and Europe, coming to the US in 1993 where his conceptually innovative design solutions have continued to earn international accolades including CLIO, Graphis, AIGA, Brand Design Institute, and Graphic Design:USA. He joined Voicebox in 2006 as a managing partner and is responsible for managing the firm’s strategic design initiatives and mentoring and growing the creative team.
In your practice, what is the one thing that you are most excited about?
JR: Exploring the true potential of technology and how it will influence the design industry in the future, both on a production output level, and more importantly, on a conceptual or creative level.
Allison Henry Aver // Founder of Letter A
Allison Henry Aver is the founder and creative director of Letter A, a branding agency for fashion, beauty and lifestyle brands. Prior to Letter A, she was a Creative Director at Vogue, Ann Taylor, Bumble and bumble, and Kate Spade Saturday.
In your practice, what is the one thing that you are most excited about?
AHA: I love when clients care about story and lifestyle. They want to create meaning, mood, and a point of view with their brand. When a brand feels like a place you want to step into, not an item on a shelf, the work gets richer.
Submit your work to the PRINT Awards right now here!
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