In the dense fabric of Taichung City, where many apartments follow a predictable rhythm of boxed rooms and tight circulation, one home has been quietly re-scripted into something far more uplifting. Very Studio | Che Wang Architects took a standard Taiwanese unit – one that had long conformed to the typical formula of interior-facing public spaces – and reimagined it as a sanctuary of white light, flowing curves, and subtle sensory cues. The transformation is not dramatic in gesture, but in ethos. The designers approached the project as an opportunity to create a gentler way of inhabiting space.
Before renovation, the apartment suffered from a condition that many urban Taiwanese homes share: the living and dining spaces sat deep in the centre, encircled by rooms that blocked natural light and ventilation. Only one opening on the south side offered sunlight, creating an uneven distribution of brightness and a general feeling of being enclosed. The home wasn’t dysfunctional, but it lacked the openness and warmth that contemporary living often requires.
Designer: Very Studio | Che Wang Architects
The architects began by overturning the logic that kept the apartment so compartmentalised. Instead of adhering to a rectilinear grid, they introduced a pentagon-shaped spatial order—an entirely new geometry that subtly reshaped the experience of moving through the home. By replacing rigid corners with angled walls, they created sightlines that extend rather than stop, and movement paths that feel organic instead of imposed. Light, travelling across these oblique surfaces, gains softness; shadows no longer cut sharply but instead drift gradually, as if sliding across curved paper.
This new spatial framework allowed the team to reorganise the shared spaces more effectively. By opening up the north, west, and south sides, the apartment no longer depends on a single window for illumination. Sunlight now enters from multiple directions, diffusing evenly through the white interior. Air moves more naturally, creating a cross-ventilation pattern that makes the home feel physically lighter and far more comfortable. What used to be the darkest portion of the unit is now the most breathable—an airy core shaped by light rather than walls.
A particularly thoughtful move was the architects’ decision to use sound as a spatial differentiator. Instead of carving the open area into smaller segments, they gave each pentagonal zone a dome-shaped ceiling. These domes alter acoustics subtly: a soft concentration of sound in one zone hints at gathering space; a more diffused quality in another suggests circulation or transition. This sensory layering allows the home to maintain openness while still creating distinct functional pockets. Lighting concealed around the curves of each dome adds a floating glow that enhances this sense of layered depth.
The result is a home that feels both minimal and richly atmospheric. Arches lead sunlight inward; curves erase the harshness of structural edges; air movement becomes part of the spatial choreography. Nothing is loud, yet everything is intentional. The apartment no longer behaves like a series of rooms; it behaves like an environment.
What this project ultimately demonstrates is the power of reframing the basics. With a few bold shifts in geometry and a heightened sensitivity to light, air, and sound, even an unremarkable apartment can become an unexpectedly serene refuge. Good design doesn’t always announce itself; sometimes it simply makes living feel quieter, clearer, and more considered.
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